Thanks to YA author Lynne Kelly for getting me involved in the Writing Process Blog Tour! Here we answer some basic questions about our process. The questions may be basic, but writing a book is far from it, and every author's process is as unique and as individual as the array of books throughout history. I love talking shop, so here goes....
1.What am I working on:
Book 2 of The Eterna
Files, a Gaslamp Fantasy saga set in featuring two rival teams of secret
agencies between New York, each tasked with finding the ‘cure for death’ on
behalf of their respective governments. A teaser novella for the series
launches this fall and book 1 launches February 2015. Close on Eterna’s heels,
my acclaimed, award-winning and bestselling Strangely Beautiful saga (also
Gaslamp Fantasy in nature) re-releases. Both series are with Tor/Forge. I’m
having such fun with The Eterna Files, which takes and runs with all the themes
I’ve been working on throughout my career; the spaces between life and death,
the fine lines between faith, belief, spirituality and doubt, the arcane, the
magical and the unfathomable mysteries of the human heart. I’m so in love with
infusing the paranormal into a ‘realistic’ Victorian world and I’m blessed to
have had the opportunity to do so book after book. Some of my Magic Most Foul characters will appear in Eterna, and in the finale of the series, The Double Life of Incorporate Things, I introduce two of Eterna's stars. I love weaving all my characters through different series to show them all from different angles.
2.How does my work differ from others of its
genre:
I love this question because it’s in my particular brand of Victorian
Gothic Fantasy that I truly hope to make a lasting mark. Readers and reviewers
tend to compare my books to 19th Century Gothic authors rather than
contemporary authors, mainly because my style borrows so heavily from my Gothic
forefathers and foremothers. While I don’t utilize the density of 19th
century style, between my themes, interests and the bent of my language, my
work is entirely entwined with a dark, dramatic, dare I say ‘strangely
beautiful’ tradition.
What I attempt, while honouring and valuing my Gothic
forefathers and foremothers, is to allow for my female characters to have a
broader range of experiences and agency in my work. Most women in the
traditional Gothic are victims and/or trapped by their material confines of the
age, of expectations, mores, roles and more. The women of my novels are tasked
with saving themselves and others, rather than being a less dimensional plot
device.
3.Why do I write what I do:
This is closely tied
to how my work differs from others of its genre. I feel called to voice the
Victorian Era that I love so deeply, but to do so via a modern lens, and allow
for voices that would have been marginalized by the constraints of a classist,
excessively patriarchal society. I do so not because I think our society ‘knows
better’ than the Victorians (we have just as many skeletons in our modern
closets as they had in theirs, in some ways more insidiously considering the
pervasiveness of modern technology), but I do have current freedoms and
platforms a Victorian version of myself would have chafed heartily against. So
much of the freedom, laws and safety we take for granted today were changes
born of the constraints, injustices and traumas of 19th century
pedagogy, changes that people fought and died for.
And yet, we live in a new
gilded age in terms of income inequality and the rapidity of technological
advancement mirrors the industrial revolution in an uncanny way. There are beautiful
ways to parallel the past and the present and those connections keep me coming
back time and time again to the themes of my work and the fascinating
complexities of the Victorian era and the resilient human spirit throughout
time.
4. How does my writing process work?
*Chortle* I am entirely haphazard. Such a pantser. While I have to know a general arc and trajectory of where I'm going, every book is as mysterious to me as the last. Every book is new, every book's process feels like I'm back to square one and every time I wonder if I can cobble a book together out of the quilt pieces laid out before me. The only common theme is that I write non-linear, out of order, I write the scenes that compel me and keep me up at night. (Beloved characters are the anti-sleeping-pill).
I write what I want to write first, daydream about all the things the book needs, and eventually I put in all the connective tissue, which is the most exhausting part of the process, making all those pieces make sense. That's when it feels like work. The initial process of the book is like taking a vacation into a foreign land and I'm seeing it through the eyes of my characters, it's rather magical, really, but then the connective tissue is where the muscle comes in, and the editorial part of my brain needs to make the hard choices about making sure none of my characters have run away with the storyline too far off the core course, which has happened a few times in my career. That's where critique partners and editorial staff come in so handy, as a book that's only seen your eyes and mind alone just isn't as capable of a story as it is when it's gone through multiple revisions and some trusted viewpoints.
All in all, writing books is what I love most in life and feel is my purpose in life, and so writing process, for me, isn't just something I do, it's something I live. And I hope you'll enjoy my books!
DARKER STILL (Magic Most Foul book 1: http://tinyurl.com/darkerbn )
THE TWISTED TRAGEDY OF MISS NATALIE STEWART (book 2: http://tinyurl.com/twistedbn )
THE DOUBLE LIFE OF INCORPORATE THINGS (book 3: http://tinyurl.com/tdloitaz )
I tag my darling Alethea Kontis, award-winning, NYT Bestselling author and certified Princess on this tour, catch her responses next Monday on her blog!
Evidently, the British agent Mister Brinkman was just across
the street, awaiting a signal. I suddenly felt that, at any minute, any number
of persons could descend upon us from unseen corners. The intimate, singular
horrors that the Society had perpetrated upon Jonathon and me were now becoming
a crowd sport.
Knowles palmed a small, hand-held lantern that had been
sitting as a lit globe upon his desk. He moved to stand before the narrow, tall
window to the side of his bookcases, putting a hand to block the orb's light
and then removing it three times. A minute later, I heard a key turn down the
hall, then the front door open and close quietly and then not a sound until an
uncanny apparition was seen in the doorway: a distinct form in a black cape.
The man set his hood back upon entering the room. Brinkman.
I wondered how intently the spy had been watching us.
Reading lips through binoculars, perhaps, poised and on sharp alert to all
tells and ticks? When he crossed the room in a few measured strides, his eyes
went right to us as if he'd known our positions. He made me feel as nervous as
he did safe. I watched Jonathon's face as he stared at the man, I assumed
gauging his aura. As Jonathon remained cool and composed, the man's aura must
have remained positive…or at least neutral to us. I took a moment to thank
whatever magical offsets had granted Jonathon that ability, as it was one of
the more useful supernatural traits our situation could have afforded.
Brinkman could see me examining his oddly handsome face,
trying to get a read on him. So many years of mutism had made me uncannily
adept at reading moods, bodies, intentions, and more, just by look and
physicality. This man was a compelling, blank slate. He simply smiled
enigmatically at me, giving nothing away but that he was a man not to be
trifled with. A consummate spy. I was no less nervous. But I was just a little
bit impressed.
"Miss Stewart," he said, bowing his head to me. I
inclined mine in turn.
Knowles busied himself at a vast cherrywood credenza, making
sure all the gentlemen had snifters of bourbon.
Brinkman turned to Jonathon. "From what you said upon
our return ride from the Society office, it seems you laid the groundwork well,
Lord Denbury. I'm hoping this little party
will allow me to collar Moriel and his two top cronies. I'd like to cuff his
whole cabal of six, but it would seem all the 'Majesties' are hardly ever in
the same country, let alone the same room. Hopefully, the Society will fall out
from under the top tier once we topple them."
"What brought the Society operatives together in the
first place?" I asked.
"The only consistent factor is that they are very old
aristocracy from three different country's traditions. Each of their line was
at one point disgraced and remains relatively forgotten, with little money.
However, they've gained traction in property."
"Making a deal with the devil for a return rise to
importance?" Knowles asked, taking his place at his desk.
Brinkman shrugged. "That's the only thing I can figure
about their aims."
I heard a key in the lock down the hall and then Lavinia's
voice speaking in a pouting tone.
At the sound of movement at the door, Jonathon stalked out
of the room and met them, lingering there at the mouth of the hall while
Lavinia's voice continued, getting closer as she said: "You do realize how
much I've given up, Nathaniel, back and forth with you across the pond. I truly
needed just one normal evening with
my lady friends. Must we strategize at this hour?"
"We'll address your sacrifices in time, dear,"
Nathaniel murmured as they neared Knowles's office door. "But that isn't
for here and now, with lives on the line. Everyone is here. Please appear as
sensible as I know you are capable of being."
Whatever Lavinia was feeling, she put on a calm and brave
face when she entered Knowles's now-overcrowded office.
The solicitor gestured to a decanter of some sort of
rose-colored cordial and raised an eyebrow at Lavinia and me. Lavinia set her
jaw and pointed to the bourbon instead. Knowles grinned and despite the
departure in custom, included us both in the gentleman's drink without
question, a small courtesy that made us feel involved and respected. These were
not times of common propriety. No one was looking to drown their sorrows in any
substance; such behavior would not help our cause. But having something to hold
and busy one's hands with was a tiny comfort to take the edge off the tension
in the room.
"I never thought I'd be grateful for anything that has
befallen me," Jonathon said as he reentered the room, stalking over to my
chair and standing behind it to voice what I'd been thinking when he examined
Brinkman. "However, the ability to see the lit aura, the incorporeal
traces of any of my potential enemies is very useful. It would seem no one
followed you here. I see no spark in the shadows outside."
"I told you I'd be careful," Nathaniel replied.
Jonathon nodded at his friend.
"Friends," Jonathon began, addressing all of us. "Let's
get to our points. The Society shall arrive at the estate at six tomorrow. I
explained to Moriel that I would leave the proverbial 'bait,' the tokens, bound
in the dining room." He squeezed my shoulder over the back of the chair. "Do
forgive me, my love, for referring to you as such—"
"I understand, Jonathon. That's how they might refer to
me. Not you. You will both have to play the part," I reassured, even while
I shuddered at the thought.
"They seem to be interested in blood tokens,"
Jonathon said, clenching his jaw. "If you are bound at the table, my brave
ladies, don't worry what will befall you. Nathaniel schooled me in some sleight
of hand. I don't want you dreading anything that will be mere show, but please
do react accordingly as though you've been affected."
Lavinia nodded. She was used to this sort of thing more than
I; surely, one of Nathaniel's vampire bits on stage had her prepared for
necessary theatrics. I swallowed hard and tried not to look ill.
Jonathon continued: "Nathaniel and I will meet the
company at the door and lead them in, as it would be best they not find us all
fraternizing in the dining room when they arrive. Tomorrow morning the Society
said they'd return the staff to the premises to prepare the meal."
Jonathon turned to Brinkman to explain in a bitter tone: "Moriel
confirmed, laughingly, that the staff they retain are possessed bodies. The
family that overtook the estate per the Society's coaxing is now enslaved to
it. Moriel has taken those poor wretches on as his personal cook, footman, and
the children as veritable slaves."
"And their poor souls are trapped in the dining room
portraits," I added. "Before any arrests are made, we'll need to
invoke a countercurse to return souls into bodies and trap the demons. It's not
something I'd trust to leave to the average police officer. With all due
respect."
Brinkman nodded and tried to act as if the directives were
commonplace, but his halting speech revealed his discomfort. "If you say
so. I trust, then, that... you'll handle the...countercurse?"
"We will, you must leave that to us," Jonathon
replied. "Natalie, I'll trust you to later explain the principles of the
countercurse to Nathaniel and Lavinia."
I nodded again. I sipped the bourbon, and its sting was a
nice offset against nerves.
"I'll need a cue for my men to pounce," Brinkman
stated. "I don't want it to come too early, but also not too late. I don't
want these bastards to try anything."
"Or to let their magic build," I added. "We
can't know just how many demonic forces they have, truly, at their disposal.
Those we've seen have been embodied, but what about those awaiting a host?"
"We can't allow anything in," Jonathon murmured. "We
don't know exactly where these demons come
from. How they summon them. If you've ever had a faith, now is the time to hold
to it. We must not give those wretched, soul-sucking entities any room for
entry."
I nodded and thought of Maggie. I wondered what on earth
could have happened to her. "Maggie's gone missing, Jonathon," I
murmured. "No one knows where she's gone. Mrs. Northe wired Mr. Knowles
here to tell us. If she or Karen has any clairvoyant indications about what
went on, we don't know."
"Well, she let the beasts in, Natalie," he replied
with a harshness I understood but didn't expect, "and allowed the forces
that tried to kill us to grow stronger by her reverence and favor. We can't
help her any more than we did. I can't worry what's become of her now. Not
right now."
I looked at the edge of Mr. Knowles's fine desk and clenched
my jaw, knowing Jonathon was right but still wishing there was something I
could have done months ago to prevent her disappearance now. I said a prayer
for her soul.
A slight movement of Nathaniel's hand caught my eye, and I
saw him clutching a beaded length with a crucifix in his palm, something he'd
wound around his wrist, perhaps a rosary. Anglican England still utilized
Catholic-associated tokens as they were very similar in structure, just as
Reverend Blessing owed a great deal to the Catholic Rite of Exorcism. Every
denomination, at its root, directed back to the same governing principles.
Symbols of faith were the touchstones of our own retaliatory magic. Ours was a
different color and weight, but no less powerful than the breed the Society
perpetuated. I had to believe we were as powerful as demons, so long as we
stood up to them.
Brinkman's face was pinched; a slight crack in his facade
indicated his own trepidation. I could empathize that a man like Brinkman didn't
appreciate supernatural variables in a carefully calculated plan. "My men
will be instructed to wait for my whistle," he stated, "but I can't
cue immediately. Not until there's a bit of dirt under Moriel and company's
nails, otherwise we may not have as flush and solid of a case as we need to
ensure their downfall."
"If we're drawing out their plan," Jonathon piped
in, "someone must be stationed to record what is said for evidence. If we
place your men in my secret passages as we discussed, there is a pipe that's
perfect for listening in."
"I'll be sure one of my best court recorders takes
notes," Brinkman said eagerly. "If the paranormal aims of the Society
are to be believed, we'll need as much in the form of a confessional as
possible, the madness and desire for chaos expressly stated so that the threat
to queen and country cannot possibly be denied."
"Jonathon," I murmured, a dreadful detail
resurfacing. "What about the cellar?"
He swallowed hard.
"What about the cellar?" Brinkman queried, looking
from one of us to the other. "I thought you said the estate was empty?"
Jonathon took a deep breath and spoke slowly. "There's
also the possibility of a reanimate corpse as evidence. Be advised that the
infernal magic the Society uses to reanimate the corpse makes the creatures
very difficult to endure. There's a terrible mental strain, an inner sound of
screaming, as if they creatures are built to rip apart the very fabric of
sanity. A horde of ghosts is tethered to a body to make it come to life. The
ghosts are the animate spark."
Brinkman's lips curled in disgust. "How horrid. Ghosts
as Doctor Frankenstein's lightning?"
"I suppose. I've never seen anything like it before
Doctor Preston's work in New York.
I discovered all the same equipment we saw in New York down in my wine cellar. So I don't
know what to expect."
"The unexpected is all we can count on, it would seem,"
Brinkman replied bitterly. "We'll all have to play it very safe, moment to
moment, and very close to the vest." He bowed to us all and moved to the
door, his tone allowing for a slight weariness. "Until morning, my motley battalion."
We stayed the night in London,
one of Jonathon's finer carriages escorting the two couples to the Denbury
flat, an exquisite set of gas-lit rooms in Knightsbridge. The place had a warm
glow about it in all the golden flocked wallpapers, lighter woods, and
gilt-accented furniture, a contrast to Rosecrest's deep, dark Gothic charm. The
flat was that of more modern romantics, more fanciful in color and lush
fabrics.
Nathaniel, being familiar with the flat, led Lavinia off
somewhere. I wondered if they'd separate as propriety would dictate or if
Lavinia would indeed come away from this a fallen woman. It wasn't my place to
judge, she could make her own choices, and I hoped Nathaniel was man enough not
to pressure her either way. Women were given little leverage in our world, and
a girl's modesty was not something to be given or taken lightly, and men would
do best to always keep that in mind.
As I sat upon one of the lavish divans in the main room, I
had no idea how in the world I was going to sleep, but Jonathon seemed prepared
for that, having stoked a small stove in a rear kitchen and returning to me
with teacups in hand.
"Have some tea. It's... powerful tea," he said,
handing me a warm cup and saucer.
"What's in it?" I asked, catching a whiff of a foreign
scent.
"Some opiates and sedatives. I just took a draught
myself. Else I'll never sleep. You and Lavinia can take the far room. Nathaniel
is taking my room."
"You may have to untangle them—"
"I'm counting on Miss Kent to make an honest man out of Nat."
Jonathon chuckled. "I don't let him play Don Juan in my home. I never
have. He knows better."
"Where will you rest, darling?"
"On this very divan, dear. While the draught calmed my
nerves, if I need to pace in the middle of the night, I'd best do it away from
those I hold dear. You need your rest to be sharp."
"As do you..." I set down the cup and ran my
fingers down the sleeve of his magnificent frock coat.
"When I was saving lives in my London clinic, sometimes my clearest
decisions as a doctor came when I was truly exhausted and the drive of panic
kicked in. Trust me, Natalie. I've faced many life and death battles. Just not
necessarily my own. Not those most precious to me," he said, trailing a
finger down my cheek, resting a fingertip upon my lips. I kissed his fingertip
delicately, slowly, and he closed his eyes and let me see the shudder of
sensual delight that coursed down his body.
"You're very brave," I murmured as he trailed the
fingertip down my neck.
He set his own teacup beside mine before moving closer to
press his lips to where his fingertip had been. After a slow, languorous kiss
he murmured, "Didn't I tell you I learned bravery from the best?"
"You were brave long before me."
"But together..."
He kissed me again.
Together is how our fates were determined. The course of my
life, since the Denbury portrait had entered into it and I was granted a
peculiar magic and agency to save this dear soul, was inextricable with his.
Whether brilliant or doomed.
That night, in a lovely guest room done up in a soothing
pale blue, grateful for a fresh dressing gown in which to sleep thanks to
stores Lavinia brought for us, I tucked a bible under my pillow.
Lavinia, to my chagrin, had no trouble falling asleep across
the room, not even bothering to change. She just curled up like a black-winged
bird upon a lush velvet chaise and drifted off to some uncharted inner waters.
I wonder if she'd been drugged harder. Or if Nathaniel had managed to distract
her into bliss that powerfully.
I lay back and murmured what had been my mother's favorite
psalm, number twenty-three, over and over again until the opiates finally took
hold, first of my body, and then my racing mind.
--
(End of Chapter 25 - Copyright 2013 Leanna Renee Hieber, The Magic Most Foul saga - If you like what you see, please share this link with friends! Tweet it, FB, + it! The Magic Most Foul team really hopes the audience will continue to grow and it can only do so with YOUR help! If you haven't already, do pick up a copy of Magic Most Foul books 1 and 2: Darker Still and the sequel: The Twisted Tragedy of Miss Natalie Stewartand/or donate to the cause! Donations directly support the editorial staff.
Cheers! Happy haunting! See you next Tuesday!)
I didn't demand to go with the gentlemen to the Majesty's office, but I did demand to go to London. What else would they have done with me? Lavinia had a dear friend she wished to visit, desperate to have something of normalcy. I had no plans, but I didn't dare miss London.
During our carriage ride, the gentlemen took turns driving. Jonathon was quiet and introspective when he rode with us, his hand entwined in mine, Lavinia stared at the new engagement ring with a wistful envy that she did not voice. As we'd readied in the morning, she noticed the piece, and I told her what had happened, my initial rejection of him, and the second chance in the study. She had embraced me and congratulated me. But I could feel the pang then and saw it now as she turned away from the garnet treasure upon my finger.
Nathaniel entertained us ladies with new material, blatantly overjoyed to have a captive audience. Thankfully, in this case, it was no trouble to be captive, as he was exquisite in his rendition of Shelley's Ozymandias. It was an interesting narrative, the epic poem, as epic London grew before us, beginning in modest outlying villages to clusters of greater population in a radius around the heart of the matter and unto the great, gargantuan golem of a city that was London...
Ah, London. What a beautiful mess. What a terrifying wonder and mystery. Did newcomers look at New York this way? Utterly overwhelmed?
Nothing could quite have prepared me for the scope of what I was seeing out the carriage windows. Manhattan, while vast, was an island, so simply its space had limits. London seemed an endless sprawl that was utterly confusing. There was no grid. No numbered streets. Everything was at twists and turns. And nearly all of it covered in soot. Though I wasn't sure what of that lens was made a shade darker by the gray, overcast sky.
The city grew narrower in brick alleys and confining arches over our carriage head and then expanded to grand lanes in dizzying instants, devastation like I'd seen in records of Manhattan's Lower East Side, but then palatial stretches much like our Fifth Avenue. They were sister cities in their own right, I supposed, centers of the world in many ways. But I was left with no idea where I was or how I could ever orient in such a tangle of streets and masses of people. It was vibrant and dark, grand and guttered. Impressive and terrifying. And it seemed without end.
The carriage made its rounds, Nathaniel first escorting Lavinia to a mutual friend, leaving me alone in the cab while Jonathon stayed with the horses. Next, I was taken to a friend of Mrs. Northe, Mr. Knowles, who would keep me until the gentlemen came back with news of their plans. We were in a business district; I could tell from the pristine streets and the lack of human bustle. If there were residents in the area, they kept their lamps trimmed low or were not yet home from being out and about on what had turned out to be a fine day with a brightly setting sun.
Nathaniel stayed with the horses, and Jonathon led me through an iron gate and up a stoop of a well-appointed building that had several names etched in gold upon the glass door. He plucked a key from his pocket and opened the office door.
"You've keys?" I asked, incredulous, as if all of London might be at Jonathon's disposal.
"Knowles and Brinkman have availed many resources to me," he explained. "As the Society is a sincere threat to crown and country, I've secret allies and places to hide."
"And yet you're confronting the Society directly, tomorrow," I said ruefully. "Why can't all those secret allies and those threatened take over instead of us running blindly forward at this point?"
"Hiding in plain sight is often the best strategy," Jonathon replied with an impressive nonchalance. "Besides, prosecuting the Society's aims needs as much evidence as possible. So much of it is paranormal circumstance you and I could not prove in a court."
I nodded acquiescence as he led me into the first floor foyer and then moved ahead to a frosted-glass window that was lit from within. He knocked, was bid enter, and there was a conversation I couldn't hear for a moment before he poked his head back into the hall to gesture me into the room. I walked into a warmly lit office well appointed in leather and books. A vast desk with matching mahogany chairs faced a wing-backed leather chair prominent before a grand fireplace. The trappings were similar to the finery of the Denbury study, but in a business setting, not residential.
At the door stood an elegant, patrician fellow in a well-tailored suit, the splash of a russet ascot offsetting the grey of his entire person: silver hair, eyes, frock coat, waistcoat, and trousers all the color of the English sky.
"That I do," he replied. He turned to Jonathon. "I know you must be off, feel free to leave the girl in my care. She is under careful protection here. An officer has been assigned to this building with the precinct on watch."
"Thank you, sir. I'll return with news." He reached out and grabbed my hands in his and kissed them, one then the other. "I won't be long, my brave girl."
I smiled at him with a look that spoke of trust and care and stood at the threshold of the office to watch him go, my heartstrings tugging along after him. He looked back at me at the front door and pursed his lips in a kiss. I blew one back. He caught it and reached into his coat, placing it in his breast pocket, close to his heart. "For safekeeping," he said. "I'll need it."
And with that he vanished to go confront his enemy. "Be careful," I called as the door shut behind him. I clenched my fists and tried to set fierce worry aside, as it would do me no good. I took my place in Knowles office, sitting in one of the fine wooden chairs he proffered to me.
Knowles looked at me with a wistful smile as he set tea before me, gesturing me to a seat across his desk. "She was Evelyn Rutherford when I met her," Knowles began, "in her first 'season' in London, full of New York wit and vivacity, catching the eye of every available bachelor and married man alike. Who knew that quiet, unassuming Peter Northe would catch her in the end? Baffled everyone. But then again, aside from the man's money, he was simply kind. She always said a man's kindness was worth as much as his pocketbook. Thankfully, she earned double, then, while the lucky man lived."
I smiled back. I thought of my father. That's why she cared about him. A tear came to my eye.
Knowles pretended not to notice and instead leveled a gaze at me. "She's not happy you're gone, I'll have you know."
I chuckled and shook my head. "Oh, I'm sure she isn't."
"Not surprised, mind you, as not much surprises a woman as gifted as she. But she said if I ran into you, that there will be quite a talking-to that awaits you. Also"—his expression grew grave—"as you're not a child, I'll not treat you with kid gloves. But you should know that your friend Miss Hathorn has gone missing from Chicago."
I blinked at him. "When? Why?"
"Neither Mrs. Northe or Miss Hathorn's caretaker have any idea. But, obviously, if you in any way hear from her, do let Mrs. Northe know, she's sick to death about it. About the both of you."
I suddenly felt so guilty I hadn't written to Maggie sooner. Had she run away? Was she homesick and simply decided to make a run for it? Had something called to her and lured her back to the erring paths? She probably didn't even get my letter. A profound sadness hit me like a slap to my face. I was selfish. I wasn't the only one going through troubled times. She needed a peer, someone with whom to commiserate. I vowed to be that more strongly and presently for her if I possibly could.
"Don't keep Mrs. Northe in the dark," I replied. "I'm sure she knows where we went. She tried to stop us. But she went into a medium's trance, and we eluded her. The spirit she channeled guided us, warned us, Miss Kent and I. Feel free to write her about any of our goings-on if you feel they will arrive safe to her and not place her in any danger. Not having her at my side for this battle doesn't feel right, but I'd not dare try to involve her. I feel this is Jonathon and my fight to see through on our own."
"She told me you were a brave, dear girl. But no hero does his or her entire quest on their own."
No. I couldn't think like that. Act like that. I couldn't possibly manifest that even as a possibility.
"I've my mother with me," I stated, invoking her as a ward and guardian to refuse thoughts of failure. "Much like your wife, I know she watches over me. I do know I'm not alone. And for that I rejoice. Loving souls are never truly alone, for those who have loved us are always connected. Even the death of a body cannot stop that tether."
"Spoken like a true spiritualist," Knowles said with a fond smile.
"I've learned from the best," I replied, sharing the smile.
"I think the "Majesty" continues to believe me," Jonathon said. "Nathaniel, too, but I believe the next step will be a test. Moriel is his name. He said he'd be delighted by a dinner party and would be sure a few of his ministers attend. We'll have our quarry. Let's make sure our trap is well set and in place. We must be able to draw out their strategy and once they’ve confessed their plans to listening ears, we’ll strike to the roots of their insidious tree and uproot it as best we possibly can."
"We have to take care in regards to the trapped souls in the dining room," I cautioned, turning to Mr. Knowles. "The family that took over the estate, their souls are separated from their bodies in a painted prison, likely the bodies possessed by demonic energies, as Jonathon's was. I do not know where the bodies are, I assume in the service of the Society, but the paintings, and the persons, cannot be harmed until body and soul are reunited. I cannot trust police to be delicate in those matters. That family will be collateral damage if we are not careful. We need to ensure the countercurse is landed before the police make the arrests."
"Very wise," Jonathon agreed, squeezing my hand. "See how sensible my lady is, Mr. Knowles? I am a blessed man."
"You have been a cursed man," Knowles said gently. "And so you deserve such blessings as she. It is only right and just."
I simply smiled, squeezing his hand back, tightly.
"Let's fetch Miss Kent and Mister Brinkman and ready the plan," Knowles said.
And we were off to the proverbial nightmarish races…
--
(End of Chapter 24 - Copyright 2013 Leanna Renee Hieber, The Magic Most Foul saga - If you like what you see, please share this link with friends! Tweet it, FB, + it! The Magic Most Foul team really hopes the audience will continue to grow and it can only do so with YOUR help! If you haven't already, do pick up a copy of Magic Most Foul books 1 and 2: Darker Still and the sequel: The Twisted Tragedy of Miss Natalie Stewartand/or donate to the cause! Donations directly support the editorial staff.
Cheers! Happy haunting! See you next Tuesday!)
It would seem that my nightmares waited to strike. At least,
during the course of our time within the estate, which was drawing to a close
for the evening.
However, I refused to get too comfortable. My nightmares
weren't to be dismissed so easily. The worst kind of terrors were those that lay
in wait.
Jonathon and I returned to the dining room. With
determination, I went up to the paintings and examined them. They did not
change for me this time, but they were still beseeching in the same pose as
before. That was problematic, as it indicated a presence had been in the house.
The Society would realize some sort of unknown variable. They might not trust
Jonathon's invitation. I glanced behind each frame.
"Runes?" Jonathon asked. "Carved into the
frames?"
"Indeed." I replied. "It's all looking just
the same as it was done for you, to
you. I imagine that once the devils realize what worked in your case, they
would not have deviated in others. It seems like the same pattern, perhaps the
same poem driving the spell, I'm not sure. I can only hope the countercurse
will still drive to the heart of the matter, no matter what the runes truly
say. I wish I'd brought the translation book—"
"We'd not have the time even if you did. We'd best not
stay here any longer and should not be caught here sleeping. Back to the
cottage we go, and on to London
in the morning."
I stared back at the paintings. I couldn't leave them like
that. Jonathon watched me, sensed my thoughts or emotions, and took my hand.
"You can't help them right now," he murmured
gently. "Not tonight."
Something occurred to me. "I know. But I think I can
give them hope. And you know better than anyone how desperately their trapped
souls need it. Paper and pencil. Can you get that for me, quickly?"
Jonathon didn't question me; he just darted off. And for
that, that simple respect of my agency, for his trust in me and my wits, I was
grateful.
When he returned with page and pencil, I wrote a note and
held it up for interminable moments before each portrait. The note said: Return to your positions. Help is on the
way. Patience.
Due to Jonathon's internment and my experience within his
painted prison, I understood the basic principles of what the suspended lives
of these subjects were like. Sight beyond the frame was somewhat hazy but
possible. I patiently waited before each portrait until the bodies returned to
their poses as originally painted. The children were the last to return to
their stasis.
When they did, I scribbled. Thank you. Keep patience and faith.
And then I walked out without a second glance behind me, as
I could not bear their pained eyes. Neither could Jonathon, even though they
were the unwitting souls who had usurped his property. They had been duped.
We'd all been victims. But I didn't want to relegate myself to that and neither
did Jonathon. Neither did any of us fighting the good fight.
We found Lavinia and Nathaniel sitting on the wide window
ledge of the downstairs foyer, bathed in a shaft of moonlight that made them
look like they were in a stage photograph, all in grayscale and silver light.
Their hands were clasped together. All I heard was Lavinia respond simply.
"You didn't drag me into this. Our Association was
sought out."
"I dragged you into this,” Jonathon declared. “All of
you. Though I certainly didn't do so wittingly. I promise I will repay you
however I can for all we've endured. Come, let us return to the cottage. A
night here is…" He looked about. "Unwise. But, give me a moment. I've
something by which to cheer us."
He darted off past the dining room, and I heard a door open,
heard feet down stone stairs, and there was silence in the house for long,
interminable moments before a slow tread up again, a door closing, and
footsteps upon the wooden hall led Jonathon back to us once more.
He appeared in the moonlight of the foyer with a bottle in
his hand. But he was ashen faced, changed in the silver shadows, a haunted look
on his face I knew all too well. In his other hand, he'd drawn his pistol.
"What… What did you see, Jonathon?" I asked, dread
in my tone. He gestured to keep voices down.
"We need to leave," he whispered. "Come on.
Keep quiet." He gestured Nathaniel and Lavinia back in the direction of
the library, and they quickly moved on ahead, impressively keeping the noise of
footfalls at a minimum. I rushed with them, Jonathon at my side, back past the
dining room once more where I refused to look even past the threshold.
"What is wrong?" I whispered again as he grabbed
my hand and we darted back to the library. The maw of the door that was a
bookcase opened on its side to reveal the secret passage stood before us; the
dim golden torchlight of the underground corridor beckoned eerily from below.
Jonathon shut the door behind all of us, gesturing for us to go on ahead,
Nathaniel in the lead. We were many paces into the earthen and stone corridor
before Jonathon answered.
"What we saw in Preston's
office," he replied gravely. "That's what was down there."
"Oh God…" I swallowed hard. "They've a corpse
below? One they're trying to reanimate?"
"No corpse. But everything else was there. The table.
All the wiring and equipment. And small, suspicious boxes. Bottles of fluids,
medical and funereal. The scent of decay. All in my bloody wine cellar,"
he said, spitting out the words like venom as we darted up the long corridor.
The scenes of Preston's
basement hospital wing, yet another dread corridor, came back to me in the
forceful way terrible memories resurfaced. Either they were preparing to
reanimate a corpse and tether numerous spirits to its form to power the animate
force of the thing, or they had already done so. And if they'd done so, the
whereabouts of the creature were cause for great concern.
Finally, we resurfaced in the cottage. Jonathon bolted the
iron door behind us. Next he checked the whole of the cottage, pistol drawn,
then surveyed outside. Nathaniel joined him outside, going to check on his
horses.
I sat down upon the dusty but plush velvet window seat of
the bay window and looked through the glass, trying to appreciate just how
beautiful the moon was.
Lavinia went searching about for something. I wasn't sure
what, until I heard a "pop." And then the clink of glasses. She
returned to me, two wineglasses filled with deep, dark red in her hands. She
handed me one.
I had never been one for alcohol, save in communion at
church, but this seemed the thing to do right now. One glass to calm the nerves.
Some distraction. Some reminder that we were with friends and lovers. I was in
a new country, something I'd never done before. I wanted to feel like there was
some excitement. I was engaged to the man I loved. I smiled at Lavinia, feeling
some of my tension ease before I'd even begun to sip the glass.
The gentlemen soon returned to us. Lavinia had poured for
them, and they glided, as if magnetized, to two more crystaline goblets she
filled upon the golden lacquered center table that she'd cleaned of its layer
of dust, leaving the surface to glimmer in the candlelight.
"To sending devils back to hell," Jonathon said,
lifting his glass and looking each of us in the eyes, mine last. We all toasted
gladly to that. His eyes burned into me, and I felt the pledge of our
engagement swell in my heart. I thought about telling Lavinia and Nathaniel
about it in the moment but thought better of it. Somehow I knew it would sting
Lavinia, and I couldn't have her feeling insecure when she was called upon to
do something so brave.
"It's a good thing this bed is enormous," Jonathon
stated nearly draining the glass in a few long drinks. "Because I'm not
sleeping on the floor." He grabbed me around the waist and dragged me to
the grand alcove where the vast four-poster bed was visible behind its open red
curtains. I let him. He spoke over his shoulder to Nathaniel. "Come on,
you two, there's room for all on here. And
that will force us to behave ourselves."
"Normally I'd object and find some dark corner to drag
this one off to," Nathaniel replied, grinning at Lavinia. "But I'm
deathly tired. I'm sure we all are."
It was true. I was utterly exhausted, and I allowed myself
to acknowledge it, finally, as I felt a modicum of security. The cottage did
feel safe, an unused place the Society clearly hadn't gotten its hooks into, a
piece of lost history, a secret put to good use as an encampment before an
upcoming battle rather than a clandestine affair.
The temperature was nearly perfect, and so I didn't need to
crawl under the velvet duvet. I simply allowed Jonathon to drag me onto one
side of the bed, and I lay back in his arms. Sleep overtook me almost
immediately. The ability to breathe deeply in a setting that didn't have all my
hairs on edge, coupled with the glorious protection that was being in his arms,
was enough to sweep me into much-needed rest.
--
(End of Chapter 23 - Copyright 2013 Leanna Renee Hieber, The Magic Most Foul saga - If you like what you see, please share this link with friends! Tweet it, FB, + it! The Magic Most Foul team really hopes the audience will continue to grow and it can only do so with YOUR help! If you haven't already, do pick up a copy of Magic Most Foul books 1 and 2: Darker Still and the sequel: The Twisted Tragedy of Miss Natalie Stewartand/or donate to the cause! Donations directly support the editorial staff.
Cheers! Happy haunting! See you next Tuesday!)
The four of us, collectively, shuddered in that quiet,
lavishly appointed dining room with those four tragic portraits.
"Is it...just me..." Lavinia began hesitantly,
"or did the paintings..."
"Change," I replied. "Yes. They are alive. In
a way. The souls of those persons are trapped inside the canvass. Perhaps
that's the family that took over the estate?"
I asked Jonathon, but he had turned away, as if he couldn't
bear to look.
"It's what happened to me," he murmured bitterly.
"My soul was trapped within while my body was overtaken by a demon. The
family that the Society sold this place to were mere vessels. Cursed into servitude
to the Society's ungodly bidding."
"But, Jonathon, my love, we know the
countercurse," I murmured, going to him, finding that looking away from
the paintings was much better than looking at them. "Hope is not lost. The
Society can't know the basic weapons we have."
"But we need their bodies," Jonathon said
mournfully. "To throw the demons into the frame and rip the souls back
where they belong..."
"Then let's be sure their demon-ridden selves are
invited to our little dinner party," Nathaniel replied.
"I suppose that's the only option we have," Jonathon
muttered. "To throw the countercurses before the police make arrests. I just
hope the spy Brinkman and my solicitor contact, Mr. Knowles, have evidence
enough no matter what the devils may try."
Jonathon stalked away. I gestured with a look to Lavinia and
Nathaniel that it might be best if I went after him alone.
"We'll be in the foyer," Lavinia whispered.
"As being here is just too..." She stared up again at the imprisoned
family with an expression of horrified pity and shuddered once more, darting
out in an opposite direction from Jonathon, Nathaniel behind her.
I took the route Jonathon took, listening to his footfalls,
ignoring how much the corridors of his estate reminded me of my dreams. Dreams
where something was always coming after us or keeping us apart. But unlike my
dreams, here I could move. Here I could be active. Bold. Cross distances, be
they physical or emotional.
I finally found him at the end of the next hall, as the door
was open and I could see his silhouette near the doorway, a lamp lit in a small
but grand little room...a study...
The study.
This was the room that Jonathon had been painted in. The
study whose likeness had been his prison.
I recognized every detail of the finely appointed room; the
stately furniture, expensive Persian rugs, the desk with gold-plated
implements, leather chair, towering bookcases, the mantel with fascinating
instruments and treasures, the grand window looking out to the darkened lands
beyond, I recognized every detail. He turned a lamp, and everything took on the
hues I'd been accustomed to. So much... So much had happened in this place. In
the likeness of this place... It was
surreal to see it real...
He must have heard me approach as I hadn't tried to quiet my
footfalls and spoke quietly: "I wasn't sure I wanted to see it again. But now
that I do, it's all right."
He turned to me, his beautiful face increasingly haunted the
more time he spent in this house, and I moved to his side, reaching up as if
magnetized to caress his cheek with my fingertips, to try and erase those
wearying lines and darkening circles below those arresting eyes. "It is
all right, Natalie," he insisted. "Because you're here and we're on
the other side. I am reminded of what was always real. The demons can't take my
love of this place away from me. I won't let them. Nothing can take my love
away, be it this place or you..."
He dragged me into the room, to the center of it, the axis of
where our love had blossomed.
And there he seized me and kissed me ravenously, hungrily,
and I gave over to him, giving him my weight, letting him hold me, responsive
to him in my sighs and in the way I let my mouth tease his, a conversation of
the flesh.
This was so much better than my dream, in the throes of that
storm. Here- he was right- I was reminded of what was real, and our passion was
the most real thing I knew; it burned in me with a flame that could rival the
fires of every fireplace in this grand estate. This desperate embrace was so
much more vibrant and raw than when our souls had kissed, and I had been
pressed up against the very bookshelf near us.
The situation we were in was so intense that it needed
release, it needed love. Declarations of it. Displays of it. I understood what
had driven Nathaniel and Lavinia to just such an explosion; it was far better
than the alternative of fear and loneliness. I suddenly felt invincible, as
there was nothing in the world but him and he wanted me as achingly as I did
him.
And then suddenly he withdrew and I wobbled on my feet,
having given over so wholly to his hold. He dropped to his knee, staring up at
me, his previously haunted face now flushed with desire, given new life.
"Here. Now,"
Jonathon said, his breath between words coming in hitches. "You can't deny
me, Natalie. I need to know that we face the horrors ahead together. Till death
do us part. Marry me. Please."
He fished in his breast pocket and plucked out a beautiful
rose-gold band set with a deep garnet in it, a gorgeous and elegant piece. I
stared at it, at him, frozen in a sudden and overwhelming bliss, drinking in
his glorious words as he continued: "I've kept this in my pocket every
day, undaunted. Waiting for the right moment to make this right, to make us right. Heaven sent you to me, and I
must have you. We'll be stronger for our union. On this day and for what lies
ahead. I need you now to make a pact, together, here our love takes a stand
against our enemies. Here in this haunted house, I need you to become my Lady
Denbury—"
"Yes," I gasped. "I will." I dropped to
my knees beside him, taking his trembling fingers up in mine and helping him
slide the ring onto my finger where it fit perfectly as if he'd had it made for
me. Perhaps he had. I stared into those beautiful eyes, and for the first time
in a while, I smiled with sheer joy. "I do. My lord. My love. I must be your Lady Denbury..."
I kissed him with the kind of passion I'd only dreamed
about, allowing everything within me to channel through my kiss. This kiss was
a medium to call forth all the spirits of my adoration, hopes, dreams, desires,
and needs.
We sunk from our knees onto the floor together, wrapped up
in layers of fabric and tangling sleeves and locks of hair that caught on
buttons and ribbons and latches and laces as our caresses and kisses travelled.
This time I didn't need to dream the storm. We
were the storm.
Eventually, he drew back, as there was a line we did not
dare cross though our bodies betrayed our intentions in a way that was
unmistakable. Not yet. Not here. Not on the floor of a study.
In the instant we both pulled away, knowing that if we
didn't we'd pull away clothing instead, the rush of cold air in contrast to our
built up heat sobered us. The slow, creeping dread of what we both knew lay
ahead, and the roles we had to play, was like a ghost haunting us out of the
corners of our eyes. I could see my own sentiments reflected upon
Jonathon's lovely face. My poor heart had swung in sickening
pendulum swoops, careening from frightened to exhilarated, lovesick to impassioned,
panicked to joyous. My life as presented to me was one of extremes.
I glanced to the side, out the door of the study. That was
the corridor of my nightmares. Precisely. I stood, attempting to smooth my
dress, my hair, all my undone strings and clasps. As I did and Jonathon rose to
stand beside me to do the same to his own rumpled layers and undone buttons, I stared
down at my new treasure.
"Should I hide the ring?" I asked, biting my lip.
I blushed with pride and excitement to see it there.
"No, it'll keep me strong, seeing it there, as I have
to play the part of the wretch. It will remind me that you trust me. It will
remind me why we've taken the fight to this house. Because you will be Lady Denbury. Because Mother
would approve..." His voice cracked as he said it, but he stared at me
with adoration that pierced through his still-fresh pain.
I dived in again to press my lips to his before stepping
back once more to smile, radiant, no threat could take the purity of this love
away from me. I would be Lady Denbury. I would fight for this love. This house.
For what God had brought together, let no demon sunder.
Still, there were details to consider.
"What if one of the "Majesties" sees or asks
about the ring? How attune to detail are they? Will an affianced woman affect
their 'ritual'...'" I shuddered.
"I'll say it was a pretty bauble I gave to you in order
to toy with you," he replied. I shuddered again.
"Do you have any idea what will be asked of me? As
"'bait"'?"
"Nathaniel and I will be theatrical, make suggestions
to appease the Majesty and any who might come with him, but Brinkman will send
in the brigade before anything is actually done. We'll keep things vague, I
promise. It's your presence that I think he'll assume is done in good 'faith'
as it were." He sounded very confident, but I wasn't sure if that was for
my benefit or his own reassurance.
He continued: "Tonight we'll stay at the cottage.
Tomorrow, I go into London,
meet with the Majesty, and set a time for a party," he said with false
cheer. "There we encourage others within his Society to attend, as the
scope of the organization and its possible members has been impossible to track
down or ascertain. Then, I meet with Brinkman and the helpful solicitor Mister
Knowles to update them. Together we'll see if we've enough straight evidence to
arrest more than one person. We're trying to drive as many roaches out with
light as possible, but the stage theatrics might be necessary for the results
to be more damning."
I nodded. It was as sound a plan as I could hope for. We
would have friends on our side. And hopefully the police. But in matters such
as this, where every belief was wholly tried, I wasn't sure I could count on
traditional law enforcement to quite be the security force it should be. For an
age so obsessed with death, with mourning and spirits and the sciences of the
unexplained, when something actually defied what was known about the natural
world, a majority of people turned interest into frightened rejection and clung
to the normal over the paranormal. But true believers knew the truth because
the truth had happened to them. Undeniably. But the truth was oft stranger than
fiction in cases such as ours.
I lamented that Mrs. Northe wasn't here. I always felt safer
when I knew she was with us, on our side, my mentor and spiritual guardian. I
no longer worshipped her as a god like I'd once done. I knew now that she
couldn't solve every problem and that she wasn't perfect. But we'd truly
abandoned her. And I felt certain that she actually wanted to be here. Surely
she knew we were here, she knew us too well...
But at the same time I didn't know what she could have done
to help, other than to be another frightened heart watching, wondering,
waiting... She needed to remain in New
York, keeping an eye out on that front line of the
Society's unnatural warfare. Jonathon left her with addresses to inspect. I was
sure she was up to something productive. Father, on the other hand...
I couldn't think about Father. I just couldn't. I embraced
Jonathon so he could not see the pain on my face. When I got through all this,
because I had to get through all this, I'd never again scare my father like
this. We all deserved better than we'd been dealt, and him as much as any.
Though he never faced the horrors we did directly, I knew his pain and anguish
over me was as rife as any, and his confusion far greater. Being left out was
the worst thing in the world, I knew it, and I hated having done that to him.
But he was not to be involved. He was never a part of the equation on the
supernatural side. However, his love was a force to be reckoned with, yet
another reason to fight for love to win over evil.
Jonathon hugged me back, fiercely, and it was as if he read
my mind. "We will get through this, Natalie. My Lady Denbury. And then I
promise you a life so full of light and so far from all this haunted
pain..."
"Yes, my love. My lord. We shall see that day together,
until then we fight, stronger for our union."
We kissed once more and reclaimed that study, the place that
had been used as a prison, for the freedom of our love. I ignored the corridor
of my nightmares that awaited just outside.
--
(End of Chapter 22.2 - Copyright 2013 Leanna Renee Hieber, The Magic Most Foul saga - If you like what you see, please share this link with friends! Tweet it, FB, + it! The Magic Most Foul team really hopes the audience will continue to grow and it can only do so with YOUR help! If you haven't already, do pick up a copy of Magic Most Foul books 1 and 2: Darker Still and the sequel: The Twisted Tragedy of Miss Natalie Stewartand/or donate to the cause! Donations directly support the editorial staff.
Cheers! Happy haunting! See you next Tuesday!)
As he righted himself, I curtseyed deeply. "My esteemed Lord Denbury, it is an honor to be here," I replied with soft earnestness. He broke into a smile. A genuine smile like I'd not seen for some time, a flame of his pride returning, and it was as if one of the gas lamps had been lit in the room. But it was only his eyes. The moonlight did all the rest. "I love the name of it," I added eagerly. "Rosecrest..."
"Dates back in something of our lineage to the War of the Roses. I'm not sure what's fact and what's familial aggrandizing." He chuckled.
And at the mention of family, there again came the pain, like a veil being drawn over those seraphim features of his. He reached up to turn the key of a gas lamp before thinking better of it, keeping signs of activity at a minimum. There was moonlight enough.
We set to wandering the quiet, dark, enormous old house. To say it was eerie was perhaps the understatement of my life.
And yet it was so arrestingly exquisite. Eerie didn't bother me. Eerie was enticing, the kind of setting where a soul could give over to romance, a place for passionate whispers and stolen clutches in dark corners, surrounded by shadowed beauty on all sides. Frightening was a different story, a shade darker on the palette. At the moment, we were firmly in the color of eerie, and I was content to stay in its entrancing hue.
Rosecrest was the kind of grand, palatial manor that would be its own character in a famous tale. Old and mid-eighteenth-century Gothic, it was everything a Brontë would have written about and that in any other case or company, I'd have unabashedly swooned over.
But I didn't need to make a show of any of that here, as it would have been a bit much. For Lavinia soon caught up with us and took that particular helm, her black layers as slightly askew as her coiffure, Nathaniel looking a bit smug behind her. His long black coat swept the floor as he stalked into the main foyer, making him look like thesesurroundings were one of his stage sets. As my far more theatrical compatriot, Lavinia did all the sighing and exclaiming over the manor for me. Nathaniel was quite used to the place but seemed to love seeing it through Lavinia's eyes, and their impassioned, nearly childlike wonder was so refreshing against the anxieties that had my shoulders so tensed.
Allowing for momentary curiosity, I watched them. After that furious kiss of theirs in the underground corridor, I wondered if Nathaniel Veil, the Gothic Don Juan, was growing to favor Lavinia in the ways that I hoped, as I wanted her to be his foremost paramour. She was too much of his kindred spirit not to be, and her unbridled rapture at the estate was endearing and contagious. After a particularly rhapsodic ode where Lavinia exclaimed about the moonlight through the massive, arching window that illuminated the grand wood and marble staircase to upper floors "as a portal into the night court of the realms of faerie," I did feel compelled to add my own compliments to her panoply.
"It is so very beautiful, Jonathon," I murmured. "Breathtaking. All of it. And it is yours. That must not be in doubt. I know everyone involved will make sure justice is served for you and for this wondrous place," I reassured with all the confidences I could muster. I was sobered by how hard this all had to be for him. I reached out and pressed his hand in mine as he took us through the length of the main foyer.
"Why would the Society just abandon this treasure?" Lavinia exclaimed.
"Oh, they haven't abandoned it, it was overtaken by a nouveau riche family that fancied themselves landed and titled—or at least are trying to be—in a home they had no right to buy as it was stolen not sold, though they changed our family crests anyway," Jonathon growled. "The Society acts as landlord. Per Brinkman's exterior surveillance, it would seem that both the family and Society persons do come and go, but no one here has kept any permanent staff on retainer," Jonathon replied. "Considering the Society's penchant for experimentation, we need to be prepared for any number of things to be taking up space in my estate." The grim resignation in his tone spoke again of his amazing resilience. I took his hand again, and this time I just didn't let go of it as we continued the tour.
Thankfully, there were no obvious vials of "The Cure." No apparent wires leading to reanimate corpses stowed away in any of the upstairs guest rooms, fine set after fine set as they were. It would seem the Society kept the grand home as it was, rather than using its great resources as another testing ground. At least we hoped. Jonathon and Nathaniel ran downstairs to the kitchens and cellars and came back up shrugging, the place empty. For Jonathon's sake, I was so glad, though it continually felt like a calm before a storm. Like we were missing something.
I grew utterly overwhelmed by the vastness of the place, two long wings of bedrooms, studies and sitting rooms interrupted by the occasional alcove or balcony that looked down over the main foyer or the elegant ballroom, the whole of the house done up in a synthesis of dark, carved wood, archways, and stained-glass accents.
Eventually, we descended to the west wing and swept into the dining room. It was lavish, immense, full of dark woods and sparkling crystal, hard to take in at once for all the details and finery.
But it was all the portraits lining the walls, hung above the wooden paneling in grand, gilt frames that caught my eye.
It was a family, a well-heeled gentleman of middle age, two youths standing as if they were already men to his left, bookended by a woman in lavish gown that seemed to be trying a bit too hard. It was a bit too ostentatious to be tasteful, a sign of the striving classes I'd learned from one of Maggie Hathorn's rambling monologues.
I blinked. And in that moment, my vision swam a bit, as everything went out of focus within the frames. My throat went dry.
"Oh no, Jonathon," I said, suddenly dizzy with the further descent of dread that pitched my stomach. "The house isn't empty."
I pointed to the paintings. All of which had changed when I blinked. Each stoic form had suddenly shifted. All of them reached out their hands, open palms, desperate. Reaching out to me. Souls reaching out for help. Just as Jonathon had done when he was imprisoned in canvas. So the Society had brought its evil unto Rosecrest after all.
"This house isn't empty at all," I said in a choking whisper. "It's full of trapped souls."
--
(End of Chapter 22.1 - Copyright 2013 Leanna Renee Hieber, The Magic Most Foul saga - If you like what you see, please share this link with friends! Tweet it, FB, + it! The Magic Most Foul team really hopes the audience will continue to grow and it can only do so with YOUR help! If you haven't already, do pick up a copy of Magic Most Foul books 1 and 2: Darker Still and the sequel: The Twisted Tragedy of Miss Natalie Stewartand/or donate to the cause! Donations directly support the editorial staff.
Cheers! Happy haunting! See you next Tuesday!)
Actress, playwright and award winning, Barnes and Noble bestselling author of ghostly fiction and non-fiction such as the STRANGELY BEAUTIFUL, the MAGIC MOST FOUL, The ETERNA FILES and THE SPECTRAL CITY series of Gothic Victorian Fantasy novels for adults and teens as well as THE DARK NEST CHRONICLES and TIME IMMEMORIAL Space Opera stories for Scrib'd and Bryant Street Publishing. A HAUNTED HISTORY OF INVISIBLE WOMEN: TRUE STORIES OF AMERICA'S GHOSTS, co-authored with Andrea Janes, was a Bram Stoker Award Finalist for Superior Achievement in Non-fiction. Her books have been translated into many languages and chosen for multiple book club editions. Four-time Prism Award winner for excellence in her genre. Actress (Member AEA, SAG-AFTRA), lifelong Perky Goth, vegetarian, devotee of all things 19th century, loves nothing more than a good ghost story (she works for Boroughs of the Dead tour company) and a long stroll through a beautiful graveyard. Passionate lecturer nationwide on Gothic, paranormal, women's history, ghostly and 19th century themes. As seen on "Mysteries at the Museum" and "Beyond the Unknown" discussing Victorian Spiritualism. leannareneehieber.com
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