Wednesday, March 16, 2011

DARK NEST: RECKONING now available!

Time out from my regularly scheduled Victoriana to announce a trip to the future...

Dark Nest: Reckoning (futuristic fantasy) - the sequel novella to the 2009 Prism Award winning novella Dark Nest is now available for download by various digital vendors, including ARe and Kindle!


(Regarding pricing, ARe is a price point I feel more comfortable recommending as this is a novella, not a full-length novel. We the authors have no say on pricing.)

This novella will be available via all major digital vendors, including Nook, and also in print, including "Legacy" a Victorian Gothic short story, hopefully by the end of the month.

Visit the publisher, Crescent Moon Press and read an Excerpt!

Monday, March 14, 2011

Leanna and a TARDIS or, Epic Win


So what could be better than a steampunk event in a bar with a TARDIS? Well, not really much of anything. Huge thanks to Ay-Leen the Peacemaker of Beyond Victoriana and Lucretia of The Wandering Legion of the Thomas Tew for organizing Steampunk Stylin' at the uber-awesome The Way Station in Brooklyn this weekend, where their signature drink, The Way Station, is an absinthe-esque journey to exquisite. I was thrilled to read the Ripper chase scene from The Strangely Beautiful Tale of Miss Percy Parker. I was truly honoured to share the stage with the awesome talent of: Samara of Dancing Frozen, Psyche Corporation, Painless Parker, Eli August and all with Dorothy Winterman's gorgeous hats standing guard and a beautifully dressed crowd that never disappoints. One of my partners in crime from way back in the day, Kelley of the entrancing Wickie Arts, even made it out to the festivities. The TARDIS and me here pretty much sums up my mood about the whole thing. This might go beside the dictionary definition of SQUEE. (Thanks to the multi-talented J. M. Coen for said lovely and squee photos and to Michael Angelus Salerno and his ridiculously awesome steampunk-fitted camera for the photo of me and fellow fantasy author Mary Rodgers in her awesome captain's coat below.) Oh, yeah, and did I mention the BBC was there filming? *faint*


















Next time you're up for an adventure, hit up The Way Station. It's bigger on the inside.
What's Leanna's next event? Why, she's the Literary Guest of Honour at the Steampunk Industrial Revolution!! Check it out!

Wednesday, March 9, 2011

Leanna's Do-It-Yourself Guide to Book Trailers

Note-
This article was originally written for my RWA NYC Chapter, but as I've been reprinting my Marketing Smackdown column here on the blog, I wanted to include this article.

I wrote this article because people have liked my book trailers and asked me to talk about how I did it, so I’m sharing my thoughts. I'm in no way an expert, I'm a trial-by-fire kind of girl. When you discover something else, new, better, cool, please share other ideas/resources with your writer friends! For those who haven’t seen my book trailers, visit my YouTube channel.

Before you decide to do a book trailer, ask yourself:

Is this worth the time, money and energy I’ll be putting into it? - I don't do book trailers for my smaller works because I have to make a financial choice about what to promote. While I do trailers myself, the trailer was not free, because I was sure to buy royalty-free images and buy royalty-free music so that I was released from copyright infringement. I believe I ended up spending somewhere around $130 dollars.

Does a Book Trailer translate directly into a book sale? I’m not sure, and there's a lot of talk on both sides of the fence, but it gives people a sense of your work in a visual way, and the more ways you can market your book, the better. It opens up new venues, there are many author sites to use and upload them, they attract the more visual connoisseur and are far more eye-catching than mere text and coverblurbs.

Step #1:
Think of your book and write a short teaser script. Your book in one paragraph. Make it catchy. While you can certainly have someone narrate the story and record it, like in a movie trailer, what if someone is watching at work with the sound off? Having text makes sure people can see what you’re trying to sell, and if your recorder isn’t professional studio quality, you don’t want it to cheapen your trailer. Keep it simple, like a cover blurb cut in half. If there’s a ton of text, people will lose interest. A sentence or two at most per image. If right now you are already stuck and/or panicking, watch some movie trailers or book trailers on YouTube, you’ll get ideas. The text will determine your images and your images determine the $ spent, so do text first.

Step #2:
Open a movie-making program on your computer. - Windows has a basic “My Movie Maker” - Mac has “iMovie” - Apple has “Final Cut and Final Cut pro” movie making software (more advanced) - Surf the web for free media / movie making software, just don’t download from a site that looks sketchy. - You might also be able use a slide-show program, just be sure you can make it into a .wmv file or other uploadable media file (check and see what your options are under your “Save As”.) Get familiar with what your program does. I did mine using Windows “My Movie Maker”. It’s very user friendly, with a lot of click and drag options onto a ‘timeline’ of your movie. You can run through these programs’ tutorials. (Or if you’re hands-on like me, just tinker till you get it). Experiment with loading pictures and music files into the program and learning how to arrange them, time them, and caption them differently. It’s fun to tinker.

Step #3:
Think about the “Look” of your book. What are the colors of your book? The sounds? I stick within the color palettes established by my books and book covers and make sure nothing looks too modern in my Victorian England (I had to crop the cars out of the bottom of my Tower Bridge photo – even still, it’s anachronistic because the bridge went up in 1894 and my book takes place in 1888 – but hey, this is Hollywood folks – just don’t make those mistakes in your book!) What are the colors that you think of for your hero, your heroine? These very important “look and feel” decisions on your setting and your storyline will be visceral clues for the audience. Try to be consistent with your choices. Keep in mind that we all have distinct emotional and physical associations with color and sound, work with it rather than go against it. If you use photos of people for your characters, be aware that whatever images you use for the hero/heroine might work as a movie works in imprinting the image of those people onto your readers’ minds, so choose them carefully if you use them.

Step #4:
Start looking at image sites.
Examples: http://stockphotography.lifetips.com/ http://www.stockphotography.com/ - http://www.stockphotos.com/ http://www.istockphoto.com/index.php - http://www.acclaimimages.com/ http://www.gettyimages.com/
Do some price checking before you buy, some sites have better deals/packages than others. You can’t legally just pull stuff from google images, if you do, you must ask permission from the photo credit or website. You can certainly use some of your own images, but consider these caveats. Don’t cast a picture of your best friend as your heroine without asking her permission. Make sure a specific photo of your own won’t look out of place against the more vague and general mood-setting photos you might get from photo sites. Make sure the resolution and quality of the photo you use matches with the photos you buy. You will probably lose photo resolution when it uploads to sites, I notice this with YouTube. You want the visuals to look consistent in quality. Toying with your photos can give them fun moods and can work to even out the quality of the prints. Changing a photo from color to black and white might hide the fact that its lower resolution or quality. For those of us dealing with historical settings, the Sepia tone setting does wonders.

(Note – I won’t be talking about using actors, nor would I encourage the use of actors in a book trailer, and I am one, so you know I mean no disrespect. You’re not promoting a movie. While many top-selling authors do use actors, unless you’re a NYT bestseller and have a huge production budget - or unless you want to use the trailer as your experimental filmmaking project too – it’s not going to look professional unless you have access to top-shelf production companies and talent)

Editing:
This means the order and timing of the pictures on screen, adding text onto those pictures, or in between pictures. The exact process of step by step editing depends on the program you’re using, so I can’t really go into a whole ‘how to’ since programs vary But essentially the trick with editing is to create the proper timing and flow of each picture/segment. Keep your text and images simple so that you don’t have to sit on the images or text for a long time to figure them out. Make sure it’s time enough to read it, but that the images and text keep flowing. Your video will have a ‘timeline’ that grows the more you add, you can rearrange your images and text on this timeline, but remember shifting one thing affects the rest of the flow. Keep it under 2 minutes, otherwise sites like Facebook won’t upload it. You run the risk of losing viewers if it’s not succinct, and the file becomes too unwieldy if it’s long. Readers I spoke with said they won’t look at a book trailer over 2 minutes.

Try to avoid ‘choppy’ looks or sequences – there are transition effects to smooth one image and/or text into the next one as well as fading in, easing the image in or out and fading out. These give some nice movement qualities to static images, so play with what your movie making program can do and see what looks good. Save a striking image for last but remember it’s a teaser, so leave people wanting more.
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Music? If you want to use music as an underscore, I find it effective. Be sure it’s something that fits with the mood of your book. Pick music that’s a nice compliment but not competition with the images. If the piece is too dynamic, it might be hard to sync the images to the rise and fall of the music, perhaps pick something a little more generally atmospheric to the world of your book. I use Chopin waltzes and bought the download for a one-time fee to assure I would be free from copyright infringement. A few royalty free music sites: http://musicbakery.com/ - http://incompetech.com/m/c/royalty-free - http://www.royaltyfreemusic.com/ - http://www.shockwave-sound.com/ - http://www.stockmusicstore.com/ -
Editing the music: Depending on your program, adding music can be easy using an MP3 file, I literally “clicked and dragged” the MP3 file from a folder and into my open movie-maker window. Again, the exact particulars will depend on program. Make sure your music syncs up with the pictures. If you have a really bleak image but really happy or upbeat music at that moment, it’ll look/sound odd, try to pick something that compliments the trajectory of your text and images.

Where do you put the trailer once its done?

On your website. On your blog. On MySpace. On Facebook. Anywhere you can upload video. On free author pages like Manic Readers http://www.manicreaders.com/ and trailer site Blazing Trailers: www.blazingtrailers.com/index.php.
See if your publisher will put it on their website. YouTube is a must. It’s free. A lot of sites use YouTube as default for uploading video. When you sign up for a free YouTube channel, it can be like a free author page. And it’s a great way to expose your work to a hugely trafficked site. Without announcement on my part other than this chapter loop, I have about 150 views in a month, just because of how I “tagged” it, people searching for Book Trailers or Victorian London or Dark Fantasy or related subjects can find it because I “Tagged” it (like you do in blogs) with key search words. You can also purchase affordable sponsored video plans via YouTube. Have fun, stay true to your book, and you could come away with a great little marketing tool!

Click on the Marketing Smackdown label to visit other tips!

Monday, March 7, 2011

Leanna's Marketing Smackdown #2 - Tips for Writers

About the Marketing Smackdown: Last year I wrote a quarterly column for my local RWA Chapter, RWA NYC, in their Keynotes Newsletter. Since I'm continuing the column into 2011, I thought I'd offer the 2010 posts here. While I'm not remotely a marketing expert, I do spend a lot of time on various marketing strategies and happen to have a lot to say about it. I hope writers might find this useful, and that readers and fans might find it interesting (or perhaps daunting) to know some of the many things we authors are doing while trying to juggle everything else in our life.

Marketing Smackdown #2 - Top Ten Marketing Musts

Copyright 2010 Leanna Renee Hieber

10. Have a website. Even if you’re not published. This is non-negotiable. Blogs like Wordpress and Blogger are free and have some flexible templates, are user friendly and they’re great places to start and you can buy a domain name and have it routed to the blog. It’s a great place to begin saying who you are, what you write, what organizations you belong to, and begin to create the network that will support you when you are published.

9. Have something other than your website where you can interact with readers, and at least have a jumping-off point. This can be a blog, Facebook Fanpage (free, I recommend it), etc. Have several ways people can find you and follow what you’re doing, but pick the ones you like. Just like there are 1,000 social networking sites out there, different people like/use different things. You don’t have to be ON all of them, but at least have a page up with basic information on several. (Example: I don’t like MySpace but I keep it up because some readers are only there. I update it randomly, but it has all the critical info people need to know to find me and my books elsewhere where I’m more active).

8. Leanna’s opinion: You hear me say this a lot. Twitter. It’s easy, low maintenance, low word count, great way to find out about industry stuff and link to content like blog posts, articles, etc and interact with other readers and authors in a vibrant way – it’s a big world-wide bulletin board and I’ve already mentioned it drives more traffic to my website.

7. Do some sort of advertising. Print advertising options are expensive and few and far between but a Romantic Times ad in their ‘debut author’ spotlight might not be a bad idea. Online advertising can be affordable (If you have a book trailer YouTube is an affordable way to advertise, Facebook has advertising options, The Romance Studio is great, a lot of romance blogs / forums have ad space, find some sites you like and see if they’ve advertising packages). Don’t go overboard on promo items but do have one useful item that you like that showcases your work; i.e. bookmarks, excerpt booklets, etc.

6. Think outside the box. What skills do you offer and what are your networks to rely on? What expertise do you have and how can you make that work for you? Example: My “Direct Your Book” workshop that I’ve now taught for several RWA chapters because of my theatre background which is a unique approach to thinking about writing. What we do outside of writing can be a great interest / tool / audience. Get the word out: Let your Alma Mater know what you’re up to, your hometown radio station, a local Meetup group, a bowling league, whatever.

5. Contests. People love free stuff. It doesn’t have to be extravagant, but people will show up to your blog, website, twitter, etc, for free stuff. This is a way to build a mailing list. But you have to find a way of getting the word out about said contest. This is where things like twitter / facebook, etc come in handy. If your publisher has a forum, post contest info there.

4. Lose some sleep. It’s true that the more time you put into marketing in an online presence or at live events and conferences, the more you will get out of it. You don’t have to lose as much sleep as I have in the past year. *blink* *blink* but a month before your release day and your release week, give yourself a nice big push, as much as you can.

3. Find time for personal touches. I got a great response from readers who entered my contest who didn’t win but yet I sent them a signed bookmark as a token of appreciation for their interest and many wrote back, saying how much they appreciated it and were looking forward to my books. Balance live events (conferences, signings, etc.) with online presence. Face-time in both places is a good idea.

2. If a book blogger wants you to do an interview / Q and A with them, say yes. It’s free advertising for you, make time for it, it doesn’t have to be a lengthy piece, but book bloggers have an incredible network online and it’s a great place for people to discover you. My relationship with book bloggers has served me very well thus far, and they cross promote each other’s sites like nobody’s business.

1. Be nice. There’s nothing more important than this. People will offer you opportunities, share your work, get excited with you, etc. if you’re nice. We all love to write (otherwise we’re in the wrong business and should get out now) so let that love shine through. Love this mad business rather than fight it, you’ll have a better and healthier momentum with which to market your work with grace and flair.

Happy Writing, happy selling!

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Thursday, February 24, 2011

The Perilous Prophecy of Guard and Goddess (Excerpts!)

From The Perilous Prophecy of Guard and Goddess (A Strangely Beautiful prequel)

May 2nd in paperback and digital, copyright 2011 by Leanna Renee Hieber

Excerpt 1 - The mortal year of 1867 - From the prologue, at the Liminal edge of the Whisper-world:

As Persephone watched her friends the Muses leave the Liminal edge, tumbling into a blue sky spread vast before them, she remembered how they’d all once lived less troubled lives. She remembered bitterly how she’d sworn to be again with her beloved and not just his ghost. But that had never happened. And off they were to fight the good Guard fight again, and to fight it through eternity.

The Liminal threshold, ever mercurial, ever mysterious, perhaps sensed her mood. Above, on the Liminal’s proscenium arch, the clock that gently ticked away mortal life whirred and its intricate metal arms spun. The numbers on the barrel shifted, and the wide window suddenly revealed a scene from the past. Persephone and Phoenix saw no longer the sparkling muses careening down onto Egypt towards their chosen ones but a gas-lit street shining elegant at dusk, homes and townhouses full of Romanesque details with candles burning welcome in windows. German-speaking servants readied two carriages.

Phoenix did not need the language gifts of Persephone to translate, for the Liminal made all language comprehensible. A well-to-do family here had their belongings packed, and they turned to gaze fondly at a grand townhouse. Turning back to the line of carriages, the mother and father ushered their dark-haired daughter into one fine conveyance, but two persons lingered behind.

One, an exceedingly severe woman in an elegant black dress, her black hair streaked with silver and wound tight upon her head, clamped her hand firmly upon a young boy who looked older than his age in his fine dark suit. His black hair hung loose around his face, his dark eyes shone uncannily sharp.

“Once we’re in London, child, you’ll see. A great future will unfold,” the woman promised. Her voice was thick with an accent. “Alexi,” she said sharply when the boy did not respond.

“Yes, Babyshka?” He looked up at her, his face impassive, his voice strong.

“What symbol crowns the Alchemical pyramid?”

“The firebird,” he replied.

“Exactly. And what will you do with him?”

“I shall harness him in my hand.”

“So you shall,” she promised. “There is more to our folklore than mere stories, my dear child. There are two worlds, the mundane and the mystical, and I’ve called them both down upon your head.” The woman shifted her hand from his shoulder to brush a lock of hair from his face, cupped his cheek in a gesture more authoritative than kind. “You’d best do something with them.”

The boy looked at her, unflinching, with unspoken agreement.

“Who is that?” Persephone breathed. The Liminal window had gone a bit glassy with the time shift, as if to keep them distanced, and she could see her form reflected inside. Every colour of her was shifting subtly, as if her body were a prism held to the light and turned by a gentle hand.
“I’m not sure,” Phoenix murmured.

The grandmother spoke again: “Someday, my boy, you’ll light the darkness with your fire and all the world will bow before it. I’ll stake my life on that.” She helped the boy into the carriage then turned and stared directly through the Liminal, though that was of course impossible. She stared as if she were addressing Phoenix and Persephone, daring them. And then she held out an arm, deigning to allow a footman to help her into the carriage.

Persephone gasped. The scene faded to black, and the timepiece of the Liminal stirred, whirred, and presented the current mortal year. Persephone felt her excitement rise. Although she could no longer see herself and her multi-coloured form, she knew she cycled through hues more quickly; she always did when her emotions were high. “Phoenix, my love. That boy… I’ve never seen a mortal so like you, an elegant young king of wisdom. Why, you’ve even been called down to his hand. Surely that’s a sign. He’ll be your Leader!”

“No. He’s too young,” Phoenix protested, his fiery form floating upward to the Liminal clock and doing the math of the elapsed years. “It doesn’t add up. We take our mortals as late teens. The Grand Work at his age would break him. Besides, you saw: we’ve already chosen Cairo, and the Taking has already begun. He will be in London, and there can only be one Guard at a time.”

Persephone stared at the Liminal window. Its light had changed, and that Germany of years prior had faded to a metropolis of towers and domed temples, the morning call from Muezzins lifting prayer up into the bright sky from the slender spines of pearlescent minarets. She squinted at the brightness, her eyes having not quite adjusted from the shadows she hated, though she rejoiced at the feeling of the sun upon her face.

“Go on, love, you’ve an annunciation to make with the Muses and their new Guard. I must find my Leader—of appropriate mortal age. In fact, I believe I know just the one, and she has little inkling how her mortal life will change. But, tell me one thing before you go.” He wreathed phantom tendrils of flame around her, as this was the limited interaction they were still allowed. “I must know how you fare.”

How did she fare? She worsened every year. The corner of her diaphanous robe was stained with blood and pomegranate juice, a sickly, rotting combination she’d been coughing up for centuries.

“The pain comes and goes,” she murmured, giving a valiant smile and suppressing the rattle in her lungs. “But I always feel better when I meet my new Guard.” Stepping to the threshold, as if she was a bird ready to fly from a branch, she added, “But you must find out about that boy.” Then she stepped through the portal and disappeared in a blaze of light.

(End of Excerpt)


Excerpt 2

Chapter One -- Cairo, 1867

Eighteen-year-old Beatrice Smith stared into Jean’s deep blue eyes and really, truly wanted to be in love. Wholly in love. It was a fitting time for it; the breeze was warm, the Egyptian sun bright, and the ties of her bonnet were undone. She had stolen a few moments away from the ever-present eye of the housekeeper that her father had hired not only to clean their rooms but keep watch and be a female presence in Beatrice’s male-dominated life. For the moment, she was gloriously without scrutiny. Beatrice liked that best; when she was on her own and could make her own decisions.

“Will you ever get back to England?” Jean asked, his French accent as delightful as that bouncing lock of his sandy-brown hair in the breeze. “Do you even remember England? I’ll bet you don’t remember it like I remember Paris.”

Beatrice looked out over the city. They’d hidden themselves above it all, sitting on anterior ledge of a tower at the Church of Abu Serga from which they could survey their own little kingdom. Old Cairo’s minarets pierced the uneven skyline, spires calling to Heaven, cupolas and spherical forms above intermittent brick complexes, graceful curves among more blocky ones, a feast of shapes and varying heights. Along the stones far below strode both the wealthy and poor, robed and suited, veiled and open-faced; there were the bronze and pale, the native and foreigner.

“I remember a bit,” Beatrice replied, finding it hard to think of any world that wasn’t Cairo. “I remember how different the colours are. Perhaps the distance of memory mutes England’s hues, but it seemed a gloomier palette. There’s so much work here, I doubt Father’s thought one whit about Oxford. He hopes to find out everything about the pyramids before everyone else. I’d like to help him.”

Jean grinned. “Ah, yes, that’s right. He’s too busy grave robbing.”

“No, Jean.” Beatrice scowled. Jean was always teasing, but he should know better than to jest about a most passionate subject. “Father isn’t like that.”

“What’s wrong with it if he were? Valuable stuff, antiquities—and I’m sure your museums will do a much better job of preserving them than the natives.”

“You can’t think like that, Jean. That’s the whole trouble,” Beatrice scolded, easily sliding into the role of lecturer or professor. “Just because a way of life died doesn’t mean you can go tromping around their graveyards and taking souvenirs. Father’s interested in the culture, in learning about the hieroglyphs, about elaborate burials, rituals and daily life. Civilization began in Nile soil. It’s fascinating.”

After a moment of reflection she turned to Jean and reiterated, “He’s not just here to take things. He’s a gentleman, you know. Though, I daresay most Englishmen are less refined. Some of the things he’s suggested be stopped are quite…” She trailed off. “And then there are the tourists. They’ll come to ogle his discoveries once they learn of them. They’ve already begun. Have you seen the guidebooks? Entitled people with money to throw away, thinking they can learn everything about a faraway place and its people in a few unthinking moments.”

“You’ve heard too many of his lectures.” Jean elbowed her, yanking at a bonnet tie.
Beatrice readjusted her ribbons. “Just think if someone were to go into your Notre Dame and overturn the vaults just because they were curious. There’d be hell to pay—”

“The recently dead are different than the ancient, Bea,” Jean interrupted. “Your father might be standing in the way of a great discovery.”

“He’s trying to stand in the way of looters, Jean, it’s very different. I daresay your father wouldn’t mind a nice trundle of loot,” she muttered. She’d been attracted to Jean because he was carefree and jovial. But if he didn’t have a serious bone in his body, how could she ever talk to him about what was meaningful?

Jean held up his hands, the cuffs of his white linen suit ruffling in the breeze. “My family remains firmly rooted in the good, clean, honest work of banking. Father wants nothing to do with cursed mummy gold. But in a few years, none of this will matter. I plan on stealing you to Paris as soon as I’ve the chance, and I’ll make you Mrs. Jean Pettande before your father can say Book of the Dead. God willing.”

Beatrice blushed and cocked her head, giving him the first challenge of their young relationship. “But what if I don’t believe in God?”

Jean twitched his nose, amused. “You’re too young to be an atheist.”

“And you’re too young to know the truth. You grew up surrounded by Parisians. I grew up here. How can Coptics and Arabs, Sufis, Sunnis, Jews and everyone else who lives here, mildly disgruntled yet vaguely at peace with each other in the districts of this mad city, all believe different things and all be right? They must all be wrong.”

Jean shrugged. “Someone’s got to be right.”

“Who, though?”

Jean grinned. His ruddy cheeks dimpled. “Might as well be me.”

Beatrice snorted, not sure if she was amused or disgusted. “Why, Jean, I do believe you’ve succinctly stated the very heart of conquest.”

He grinned. “Oui.” His dive to place a kiss on her neck made her giggle. “But unlike Napoleon, all I’m interested in conquering is you.” Shifting his precarious position on the ledge, he pulled her into a real kiss. Then a thought occurred to him, and he raised an eyebrow. “If you don’t believe in God, why do you care about anyone’s mortal remains, like those musty old Egyptians?” He gave a mock sneeze, and she glared at him.

“No, I don’t believe in the Book of the Dead and I’m certainly not convinced about our Bible, but that doesn’t mean I want to steal anyone’s bodies and put them out for a show. I respect what I see. What I’m not sure about are all the things I can’t see: gods, demons, ghosts, curses—”

“You know, you really are too opinionated for your own good. I’m going to lock you away in a Parisian flat,” Jean said. “That’s what you really need.” He scrambled to his feet, standing precariously on the ledge.

“Jean, be careful,” she snapped. She was annoyed by his words, even if he was joking. Was he joking? He had a bent for carelessness. It would serve him right if he hurt himself, she thought in a moment of unkindness.

“Do you hear that, Cairo, Beatrice Smith shall be Mrs. Jean Pettande, stolen away like an antiquity, never to be seen again!” He stood shouting, flailing one hand and holding onto a gritty, sand-bitten window frame with the other. “I’ll protect her like her father protects the ancients!”

“Stop that. Stop talking like that. I don’t want to be stolen away or protected, I love Cairo.” And, she did. More than Jean. It was beautiful, complex and fascinating, its cultures, its histories and people… She even found some young locals attractive, which went very much against her upbringing. Considering the abyss that stood between ever really getting to know any of them, such attractions were foolish. Someone like Jean, foreign as he was, was still safe, accessible, and right. He was someone she was supposed to care for. This was what women her age did: they were courted, they fell in love and raised families. But his brash tone of conquest rode her sensibilities roughly. Her sunny, lovely day had soured.

Jean still played the buffoon upon the ledge. “Oh, Bea, your father may have let you read books and taught you ridiculous rituals of useless dead people, but you don’t seem to grasp your place in this world. Look at you right now; you’re just where a girl’s supposed to be.” He waved and giggled, shifting his weight. “At my heel, as I stand above and survey our kingdom!”

There came a cry from downstairs. A wind gusted, a powerful gale focused like a presence, like a person storming in as if in protest that Beatrice would not, in fact, be stolen away and trapped. Sand was kicked up at the same time Beatrice’s blood chilled. Women and priests cried out phrases she recognized as scriptural exclamations, and she pursed her lips, passing it off as superstitious fancy.

But, suddenly she couldn’t see Jean. And she couldn’t quite feel her own body.
All within her gaze went blue. Beatrice’s hands pressed hard against the tall window frame, and it was as if a great force collided with her body.

There came a burst of angelic music and blinding light, a thrilling jolt through her blood, and a firm male voice said: “You’ll not hear my voice again. You’ll only feel my fire. But you, Beatrice Smith, have been chosen for the Grand Work. You are now more than humanity could ever offer alone, and you will fight on the side of angels for a better world. You are the Leader of the Guard.”

A blinking image of a circular room and a bird fluttered before her gaze. The wind was all around her, inside her. Beatrice was too shocked to utter a sound, too taken with this cataclysmic event, but at last the moment faded. Her senses returned to the present.

It was just in time—or just too late. Beatrice squinted past her blowing bonnet strings to see Jean’s wide eyes and the top of his mussed brown hair vanish from view. He fell from the ledge upon which he’d been so reckless. He fell many stories, and Beatrice shouldn’t have looked down. But she did. So much red against so much white. She wasn’t sure she believed in God, but now, maybe, the Devil.

What had spoken within her? Whose voice had graced that terrible moment of pain and euphoria? Tears streamed down her face as she peered down from the ledge. People ran to Jean’s body and swarmed over it, though they were careful to keep out of the widening pool of blood. Beatrice ducked back, avoiding the upward gazes, gasping, wishing to see no more. Coldness poured over her, one overwhelming sensation after the next. An icy draft? Something transparent appeared, grey and shimmering.

Jean. It was Jean! He floated before her, grey-scale in his linen suit, his luminous face wearing an expression of confusion. He opened his mouth and spoke words she could not hear. She blinked. She’d stopped breathing moments before, and only now a gasp tore from her throat. She was staring at his ghost. She didn’t believe in these things; she’d just said so. She was being proven woefully, horrifically wrong. He was holding his hand out for her, as if everything would be all right. Beatrice reached forward, an unreleased scream threatening to tear her in two. Her world and sanity were both crumbling. Jean stared at her sadly. Seeming to realize something, he shook his head, disappointed. Then he blew her a kiss and faded from view.

Sound finally tore from her lips. Beatrice fell forward, turning her head and retching on the cool stone floor until she felt warmth on her hand like a ray of sunlight. Turning, she found a woman of unparalleled beauty beside her: glowing, majestic, full of colours. A glowing, floating woman whose hair was black, then brown, now blonde; her skin was pale, then olive, now dark— She’d gone crazy. That, or this was a wretchedly cruel dream with an avalanche of events and sensations.

“I’m sorry,” said the woman hovering before her, tears falling from her ever-changing face. She blinked blue then brown eyes. “I’m so sorry. I lost my lover too. He was murdered. He burned to death before my eyes.” Her tears were silver like mercury, and they rolled like beads down her cheeks and dripped to the floor.

“Who are you?” Beatrice asked, choking, wiping her mouth. “What are you?” She knew that sounded rude, but clearly she’d gone mad. She didn’t need manners when she’d gone mad.

“I’m whatever you want to call me, and I have a job for you,” the magnificent creature said.

Beatrice stared at her diaphanous layers and shifting colours, trying to sound brave but knowing she didn’t. “Wh-what do you want with me?”

“I want you to know that death is not the end. I’ll even show you it isn’t.”

Beatrice was suddenly full of fear and guilt. “I was saying I didn’t believe in God but… I don’t know. Please don’t tell me Jean was punished for my blasphem—”

“I’m not handing out punishments,” the woman interrupted. “But I am here to help set you on a path. You have been chosen for the Grand Work.”

“I’ve been chosen as a nutter,” Beatrice murmured. “And you can’t be real.” She rose shakily to her feet. All she wanted to do was weep, alone.

“Just outside,” the woman said. “In a place that’s neither here nor there, at the edge of time, between two worlds, you have friends waiting for you.”

Beatrice stared. Her mind struggled. There was something inside of her now, something warm and full of power. The sensation was making her dizzy, but it wanted her to be strong. Resolute. A leader.

“If you say so,” she whispered, dazed, moving awkwardly to the stairs. She descended, her bonnet askew, her blonde locks mussed, and she didn’t bother to wipe her eyes.

At the foot of the landing, looking similarly dazed, was a group of four young men and women. They were all about her age, and they were looking up at her. Waiting.

(end of excerpt)

Excerpt 3
From Chapter Five

Within the endless layers of shadow that made up the Whisper-world, around Darkness’s throne flocked his minions. His favourites tended their master, who was in a foul mood. He’d drawn dread curtains to sit entirely wreathed in blackness, his robes thick around him, no outside light penetrating. Red eyes blinked slowly, two deadly rubies glinting in the darkness.

Outside paced his dog, one pair then two hundred blood-red eyes glimmering to life; less like precious jewels than its master’s, their shifting numbers glowed more with fire than intelligence. The guardian creature drooled and whined, shifted its protean form, became a roiling mist, flickered, then again became a hundred-headed hound. Bored, Darkness tore open the curtain and tossed it bones from the River that clattered onto the dais below. The mass of vaguely canine heads pounced. Countless teeth gnawed the offering, those infinite fangs now and then gleaming in a bit of reflected light.

“Just let me follow her,” Luce the Gorgon whined nearby, folding her arms over the swaths of black fabric wrapped around her lithe body and head. Onyx snakes writhed beneath, hissed and snapped beneath her thin veil. “Let me prove myself to you.”

“Leave. Me. Alone,” was Darkness’s reply, a low murmur in his usual halting cadence, thick and wet, the sound of storms.

“It isn’t going to get any better. It’s been centuries,” Luce said in a conversational tone that seemed out of place in such bleak surroundings. “You’ll not break her until you find whatever she’s hiding. She disappears places. I think she’s got something she’d like you not to know about. Some private treasure.”

“She’ll hate me. All the more. If I begin rooting around,” Darkness replied. Robes shifted. Bones clicked together as Darkness adjusted.

“She’ll never not hate you,” Luce replied. “She always has.”

The shadows moved, a whip-like thrash at nothing in particular that hit some sad passing spirit who wailed in pain. Luce could hear Darkness’s teeth grind.

“I don’t hate you.” She sashayed up to where the shadows were thickest and knelt before him, running her hands up into the impenetrable blackness. “I adore you,” she murmured, fumbling blindly at his robes. When visible, they were bright crimson, the only colour in this grey wasteland. That, and her wretched colours. Persephone.

“I. Am aware. Of your sentiments,” Darkness replied, and the shadows kicked her away.

Luce scowled. “You’re a fool.”

“You. Are brash. For a servant.”

“How else can I lift myself in your esteem?” the Gorgon asked. “It isn’t like the olden days. We’re all falling apart, us great ones. We’re splintering. We’re weakening. Humanity slips farther from our command. She’s beyond hope, all mewling and retching. This may be her last century before she’s nothing but pulp. You remember, just mortal decades ago, when she bled herself all over these stones in that pathetic attempt to break free, to end it—”

Darkness whipped his robes and shadows again, this time casting Luce backwards upon the stone. “Of course. I remember.”

“Well, it could have consequences,” Luce said, unruffled, picking herself up and glaring at his tall and potent form, at the red fires of his eyes. “Her pathetic attempt unwittingly opened huge holes in your kingdom. Who knows what, in her desperation, her powers might do? You must admit that she was never meant for this place, would stop at nothing to destroy it if she knew how. She’s nothing but a hindrance—”

“STAND. DOWN,” Darkness roared. Luce cringed and retreated, expecting to be struck. But she was not. Instead, Darkness beat his chest, rattled his bones; he turned his despair inward. The water of the nearby River crested, and its murmuring voices wailed and wept. “She is beloved of the dead!” he wailed. “And why shouldn’t light couple with shadow! We are two sides, day and night! Together since time began!”

“Separated since time began,” Luce insisted calmly. “Day departs. Night takes over. They cannot sit side by side. You are of one kind, she is of another. Her light hurts you, does not strengthen you. Your darkness decays her. Isn’t it obvious it’s a poor match after all these years? I am of your kind. I am trying to help you!”

“Why. Do. You. Insist? You torture me with your words,” Darkness muttered.
Luce dared again to kneel at his feet, to again place herself partly into his abyss.

“My liege. You’ve lost your strength. I hardly recognize the master I came to serve. You might want to start listening to me rather than wallowing in self-pity like all the spirits you command. Leave them to miserable uselessness. You’re meant for something greater. You need to remind them all that you’re the lord of the land; that light, in the end bows to shadow. All life ends in darkness.”

Darkness growled, and Luce breathed, delighted at the sound. “If,” the shadows rumbled. “I have my way. It ends. With me.”

(End of excerpts)

The Perilous Prophecy of Guard and Goddess

Monday, February 21, 2011

Cover reveal! Dark Nest: Reckoning





















Coming Spring 2011 from Crescent Moon Press, the sequel novella to the 2009 Prism Award Winner (novella category)

Dark Nest: Reckoning
(Futuristic Fantasy Novella)

From the cover:

"Captain Temesia Elysse has just steered her ship through almost certain death. With the help of her gifted crew, the Dark Nest has survived. Her newly evolved psychic people are targets of Homeworld genocide. Hundreds have been killed aboard the Light Nest. Back on Homeworld soil, her people are being hunted and she knows her lover may be dead, the gifted teacher Taryn Wolfe. It will take all Captain Elysse’s restraint, with vast new psychic powers available to her and her people, not to let anger get ahead of them. But there must be a rescue mission for those still alive. There must be justice. There will be a reckoning. And the Homeworld council has no idea their persecuted victims are alive, or just how powerful they’ve become."

More about Dark Nest

Monday, February 14, 2011

Happy Valentine's Day with Elijah and Josephine of The Guard!

By request, Happy Valentine's Day from two of the most beloved Strangely Beautiful characters, Lord Elijah Withersby and his wife Josephine! I've written a short, free piece of original fiction while we wait for the May 2nd release of The Perilous Prophecy of Guard and Goddess! Enjoy!

Click here to join them at cafe La Belle et La Bete...

Thanks Waiting for Fairies, for hosting!