"Not More Lovely Than Full of Glee" - Leanna's Sequel to Edgar Allan Poe's "The Oval Portrait" Now Available in A Winter's Tale: Horror Stories for the Yuletide

Dear Readers,

If you've followed me for any amount of time, and if you're familiar with my work or my goth self, it won't surprise you how connected I am to Edgar Allan Poe. Working with Boroughs of the Dead, I've given countless tours around the areas in which he lived while in New York and I've done even more virtual talks about his influence in inventing modern genre fiction as we know it today, revolutionizing fiction as a working-class, struggling author, critic and poet. 

Poe is my literary North Star, the reason why I became a writer. For more about my connection to Poe, please read this very personal post of mine about his collection of stories and poetry I loved as a child and how that set my course as an artist and author.

Not as many people are familiar with Poe's very short story "The Oval Portrait", but it's one of my favorites. Read Poe's "The Oval Portrait" for free here.

This brief story is a harrowing tale about the power of art. And ever since I was a kid I wanted to write a sequel. What might happen next?

I didn't have the guts to do it for years. I told myself I'd wait until I published 13 novels- an auspicious number - and then I'd allow myself to attempt to imitate my foremost inspiration and seek to further a story he began. This year I published that lucky 13 with the release of my latest Spectral City novel, A Summoning of Souls. 

I was asked this year if I might join in an anthology meant to represent the long dark nights around the holidays telling ghost stories and fantastical tales, a distinctly Victorian tradition that's seeing a popular resurgence. And it was finally time to attempt what I'd longed to create for so many years.

A Winter's Tale: Horror Stories for the Yuletide is here, the inaugural publication from the new Pavane Press, with cover art by Lynne Hansen. My story "Not More Lovely Than Full of Glee", my sequel to Poe's "The Oval Portrait", can be found within its pages... Ready to tell you what became of the woman in that fated portrait.

My title comes from the original source text and becomes a focus point in the story, demonstrating the supreme power of the written word. 

I hope you'll check out this anthology and enjoy my homage to the brightest star in my literary sky. 

Cheers and Happy Haunting! 

Waxing Rhapsodic on Poe, Part 1

When I first found out about the movie The Raven, I was thrilled. I'm not one of those historical purists that fears when Hollywood gets hold of anything. If I were a historical purist, I wouldn’t write historical fantasy and gaslight Gothic works where history is a framework for my own eerie tales, but not a constraint.  

 I was over the moon at the prospect of the film because Poe is my muse and I’ll take any excuse to get more of him in my life. I want him to continue to be popular, to grow in estimation and appreciation, for his historic sites to be preserved. I want interest in Poe to be kindled in a whole new generation. If it takes a somewhat cheesy Hollywood film to do it, sign me up. I enjoyed the heck out of it. And yes, John Cusack was HOT, running around all intense and billowing in black fabric. (Those of you who have read my Strangely Beautiful saga know I like my men in black, billowing fabric.)

When I was in grade school literature class at a small, progressive education program in Ohio, a teacher who I credit as influencing me most, Mrs. Church, introduced me to Edgar Allan Poe and my life would never be the same. Some of my earliest memories are of making up ghost stories to scare my friends, so when I “met” Poe, I met a kindred spirit and his poetry broke open the sky and unlocked my boundless creativity. I always had a fierce inner dark side. This still freaks out my parents a bit, who wonder where it came from. I’m not sure. I had a very happy childhood. But even happy, optimistic, perky people like me can have intense dark sides and can be as equally fascinated with dark and eerie things as we are energetic. I always found strange things to be beautiful (Hence the series title of my first series, the Strangely Beautiful saga) and nothing as romantic or stimulating as a dark and stormy night.

Poe made my world come alive. In his voice I found my own. In his poetry and stories my world-view coalesced. A strangely beautiful world. I adored his poetry, found it deliciously, morbidly romantic, unique and deeply personal. I really couldn’t get enough of it. I’ll never forget my first tattered paperback collection of his stories and poetry- a watercolor raven on the cover- I’ve gone through many editions through the years. This first great literary love affair made me into the Goth girl and Gothic author I am today. I remember hearing about Poe’s sad life, his love for Virginia, and knowing I’d have been his friend (if not his girlfriend) back in the day. (Yes, I know, I’d have gotten fed up with the addiction and drinking, but I wasn’t thinking of that in my pre-teen years.)

My freshman year of high school I was the only freshman cast in the play POE’S MIDNIGHT DREARY, cast as Fortunato the fool who gets bricked up behind a wall. I screamed brilliantly. That childhood love came back full force as I spent rehearsals and performances living in his amazing, twisted work, and I took to writing again. I had been writing stories ever since I could hold a pen or pencil and complete a sentence, so this renewed connection with my muse informed and spurred on my then novel-in-progress, a sequel to The Phantom of the Opera. (Don’t ask. It was bad. But it can’t have been any worse than "Love Never Dies”, surely...)

My love affair with Poe kept on burning like a candle in an attic window. Poe lives in the back of everything. I’m still a Goth girl, I’m now a multi-published, award-winning Gothic novelist, and my long term boyfriends have all been black haired with black goatees. Hmm. Just realized that one.

I've a prominent jewelry collection featuring his image as well as a host of ravens on clothes, figures, things in my home. His influence can be seen in small and large ways in my Gothic tales. I’ve a Raven as an important familiar in the Strangely Beautiful saga, elements of Poe crop up all over my work, especially in the Magic Most Foul saga, DARKER STILL and the upcoming THE TWISTED TRAGEDY OF MISS NATALIE STEWART. Natalie even feels she's trapped amidst a Poe tale herself. When you credit an author as being your foremost and most formative influence, it’s hard to see all the ways in which that author crops up in your own work. I’m a lot more direct about it in the Magic Most Foul saga than I am in Strangely Beautiful, which is more inspired by classic Fantasy authors than Poe’s more intimate horror and sad romance. I feel his presence like a guiding hand in my upcoming short stories, “Too Fond” for Tor.com and “Charged” for QUEEN VICTORIA’S BOOK OF SPELLS (Tor 2013). 

I'll share more specific thoughts on The Raven film in part 2 of waxing rhapsodic, but I've got to get back to my word count for the day. I've stories of my own to write and new projects that I hope to announce soon. Stay tuned, on May 26^th, New York Times and Stoker Award winning author Nancy Holder and I will be sharing snippets of our mutual thoughts on The Raven as fellow Poe fangirls, and how Poe inspires us, over at Sue Grimshaw’s Romance at Random blog!

Nevermore,